![]() ![]() With their ten-point program, the Black Panthers continued to combat social oppression and exploitation. Although racial segregation had been officially abolished in 1964, reality was different. Jones was interested in the houseboat community Gate Five in Sausalito, a group of free thinkers, artists, and dropouts whom he constantly accompanied for more than two years.Īfter these projects, Baruch turned to photographing the Black Panther Party, which differentiated itself from Martin Luther King’s non-violent civil rights movement. The hippies’ program was visible on every street corner: free love and drug use, peaceful coexistence in communities and individual self-realization-far from capitalist society’s pressure to perform. The couple was deeply interested in the hippie movement, which formed in their own backyard: in 1967 Baruch frequently visited the Haight-Ashbury neighborhood, the origin and center of the alternative Flower Power scene. Thus, they both shared a sharpened social consciousness, which is evident in their works. Jones had witnessed racism and violence in Louisiana and Indiana. After beginning her studies in English and journalism, she ultimately came to photography through her master’s thesis on Edward Weston. Baruch had emigrated with her family from Berlin to New York in 1927, which saved them from persecution by the Nazis. Ruth-Marion Baruch (1922–1997) and Pirkle Jones (1914–2009) met in 1946 in Ansel Adams’s photography class at the California School of Fine Arts. ![]() A Spotify playlist will provide visitors with a unique audiovisual experience that will immerse them in the atmosphere of the time. Now they are being presented in their entirety for the first time in a studio exhibition in the museum’s photography room. In 2013 the Museum Ludwig received a donation of fifty-two photographs by Ruth-Marion Baruch and Pirkle Jones from the Pirkle Jones Foundation. ![]()
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